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Three dimensional rendition of Marcel Duchamp's Box in a Valise. In red, the cuboid opens up in a manner akin to that of a paper box, revealing a wide array of Duchamp's body of works from sculptures like Fountain and The Bride Stripped Bare by her Bachelors, Even, to paintings such as Nude Descending a Staircase, No.2 and Tu m'that hang on the box's vertical flaps.

Lessons for a Creative Life from Box in a Valise

On a black background are a few gradient colour patches that are soft-edged and irregularly shaped. The colour changes, for example, from white to blue and then purplish-red, or from black to brown and then yellow. The sizes and shapes of the black spaces between the patches vary.

Zachary Lieberman: Atlas of Blobs

Screen grab of a digital work showing a collage of overlapping fragments of graphical tiles, which portray an abstract bird view of roads, gates, bricks and pixelated autumn trees. At the bottom are two dialogue boxes between '???' and Ryan that write 「那是你自己選的。」(from ???, which translates to 'That is your own choice') and 「這是我自己的選擇。」(from Ryan, which translates to 'This is my own choice'). Between the dialogue boxes is a button that enables the viewer to choose between Chinese and English—at the moment it is adjusted to the Chinese setting.

Ryan Kuo: Puzzle

Screen grab of a dark universe where a halo of white light resembling a planet floats at its centre and strokes of luminescence orbit around it. Information about ‘latitude’, ‘speed’, ‘elevation’, ‘GMST’ and ‘speed’ are attached to these orbital light signals. Faint glimmers of light glow like stars in the dark. A rectangular grid is superimposed on the image. Bilingual texts scatter across the universe, which read ‘THE EARTH IS AN IMAGE 地表之下別無他物’, ‘Xin Liu 劉昕’, ‘COMMISSION BY M+, 2021 M+委約創作，2021年’, ‘The satellite will pass at 下次衛星經過時間’ and ‘2021-09-14 06:53PM-07:02PM HKT’.

Xin Liu: The Earth Is an Image

Collage of some 150 thumbnails of Chinese art dotted against a black background, with white plus signs peppered around them.

Mapping Chinese Art, 1972–2012: Selections from the M+ Sigg Collection

Still from Canto Cocktail showing the back of a woman and a man holding hands and facing the sea. While their heads are cut off from the screen, they are seen to be dressed in white and beige attire. Active karaoke lyrics is placed at the bottom, where a green dot above the words indicate the timing to sing. The lyrics read「明日我似斷難斷一生什麼可以恨」, which translates to 'Tomorrow I may not be able to call it quits; what is there to hate in life'.

Henry Chu: Canto Cocktail

M+ Facade

In addition to commissioned pieces, the M+ Facade programme showcases moving image works and thematic videos featuring objects selected from the M+ Collections.

Dig Deeper

M+ Magazine

Artist Chua Chye Teck, wearing a dark grey short-sleeved shirt and glasses, closely examines a series of sculptural artworks made of concrete pieces mounted on wooden bases, displayed on a long table.

Chua Chye Teck: Echoes in Concrete

Chua Chye Teck’s ‘Scholar’s Rocks’ at M+ explores Singapore’s urban change via concrete fragments, mixing traditional aesthetics with local narratives.

Film still depicts a dimly lit room in which the actor Andy Lau, dressed in black, holds a staff-like weapon. A metal chain hangs from the top of the frame in the scene’s foreground.

Viewing Tsui Hark’s Paradigm Shift through the Lens of the Detective Dee Series

By analysing the three ‘Detective Dee’ titles, film critic Po Fung explores how Tsui Hark shifted the focus from the world of jianghu to the imperial court in his wuxia films.

Architectural drawing of complex with a U-shaped high-rise building and adjacent large glass-domed structure, set around a central plaza.

Unearthing I. M. Pei’s Unbuilt Projects

While I. M. Pei is best known for his realised architectural landmarks, his unbuilt projects reveal the threads of his practice at different stages and the ideas that were later revisited and refined.

Collection Online

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