As our world becomes more attuned to the visual, settling on a single definition of visual culture is neither easy nor even necessary. Instead, we might embrace the benefits of fluidity: of being able to transcend traditional disciplines of art history, architecture, design or film; of thinking past the limitations of media or material; of expanding the field to encompass not just objects, but also modes of visuality, systems of vision, and the enhanced circulations that lie therein. This core of writings opens up our query into this complex domain via texts that investigate contemporary visual technologies and visual art, plus two additional layers of reflection on important historic exhibitions.