I’m inspired by the poem A Snail in a Phone Box (2006) by Dr Eric Lui. The work synthesises new insights into visuals and poetry. What begins as a promise evolves into an exploration of the emotional links between poetry and the art of loving, eventually transforming into a hegemony of power. To recreate this message, I developed a new surreal style that combines live action with animation, building a realm that blurs the boundaries between reality and dreams.
—STEP C.
A Snail in a Phone Box
Tonight, I remembered the waiting in a phone box:
The glimmering light
no one repaired
like a match in the rain
deprived of the warmth
from a collar, food box, or spark
I walked here, seeking refuge from the rain
Inside, an emptied beer can
A person drunk here
twenty years, waited
for the payphone to ring, didn’t know
who would tell him a story
Phone box at the dead-end
of the street. I couldn’t pass over
this aged wall
in front. There was once a door
opening to seashores. Now,
blocked by ivies
like many hands trying to grasp air. Here
I stayed. To tell them a secret
A tram faraway heading this side, ringings
at night rusted,
unlike knives’ cuts
anymore. The tram’s doors
must’ve seen so many farewells,
promises unredeemed like See you soon
Tram stopped
at its station. Its shadow pressed against
trash on the road. The lit cigarette
someone picked it up, smoked it,
dropped it
I couldn’t see his face clearly
but I imagined he had a break-up, lost
the ability to cry
Tram stared
at me in its silence. Left
In the rain, leaflets of lurid colours
slid down
gluily, like a diligent snail
As if someone left a letter here
years ago, once opened
would melt. We had seen
each other,
somewhere together
felt hope’s & hopeless’s rotation
in that moment—there’s light, I knew—
To grasp contingencies
& To wear them as our skin
—Dr Eric Lui
Translated by Xavier Leung
Credits
- Director
STEP C.
- Cast
Hedwig Tam
- Music
Olivier Cong
- Animator
Samuel Mok, Ivy Sin, STEP C.
- Art Director
STEP C.
- Assistant Director
Kong Ka Yiu Rony
- Director of Photography
Ma Hon Po
- Gaffer
Ma Hon Po
- Camera Assistant
Chung Tak Keung
- Compositor
Samuel Mok
- Storyboard Artist
Kaitlen Haeun Yoo
About the Commission
As a moving image commission project for young and emerging Hong Kong filmmakers, Poetry on Film is motivated by the belief that poetry possesses an inherent cinematic quality. Its rhythmic cadence, vivid imagery, and emotional depth offer a rich tapestry for filmmakers to weave their visual narratives.
Poetry on Film follows in the footsteps of the M+ short-film commission project Hong Kong as Mise-en-Scène (2023), which explores the city’s vibrant cultural landscape through moving image works. The idea for Poetry on Film was inspired by Ann Hui’s Elegies (2023), a documentary that looks at Hong Kong through the works of some of the city’s most innovative poets.