Video Transcript
Tina Cheung: (Cantonese) We stayed in Venice for 45 days. M+ staff was there for the first two weeks. They taught us how to lead tours and how to maintain the exhibition. At the beginning right after the M+ staff left, I was super nervous. I thought if I just remembered (what they taught us), I could preserve the artworks beautifully and keep them in good condition. But later I found that plants and water are hard to control. I realised that Trevor and the curator (Olivia) were happy to see the changes and different possibilities that come with the artworks. I have to keep an open mindset to accept that different things would happen during this period.
(Tiffany, hello)
Tiffany Law: (Cantonese) Hello
(Today is your first time cleaning the pool, how do you feel?)
Don’t make me talk, or else the water will splash into my mouth.
Because the whole exhibition is a living one. Even with photos or previous procedures (as reference) still changes with the seasons. When everything is changing, it makes me feel like every situation is a new one. For example, when we arrived, the lotus plant looked grey. Slowly we noticed a small bud starting to grow, and then we witnessed the whole blooming process.
Sami Lee: (Cantonese) We are the fourth pair (of interns) that arrived during the hotter parts of summer. Then suddenly autumn came and the lotuses started to wilt visibly.
Vivian Chan: (Cantonese) There are actually many small animals near the venue, which became our unexpected guests. That added another type of ‘attachment’ to the place. Not only did we interact with tourists or our neighbours, we also interacted with small animals that lived here longer than me, that was very memorable to me.
Yanny Chau: (Cantonese) My feet are a bit cold.
Wing Cheung: (Cantonese) Same here.
Yanny Chau: (Cantonese) The reason I remember ‘Two Unwanted Lovers’ the most is because I witnessed the cloudy water turned clear. When I cleaned the front glass, I would sometimes accidentally stir up the algae, and had to wait patiently to see how many days it would take for the water to become clear again. The so-called ‘attachment’ is this waiting. You would have many expectations for it.
Rachel Tse: (Cantonese) Even when doing maintenance or facing visitors. How can we take a step forward to communicate and exchange our thoughts?
Kitty Leung: (Cantonese) Because Trevor told us at the beginning that maintaining the exhibition as an intern is also part of the exhibition. At first, I thought that it was as if we were roleplaying like caretakers of fish in a pet fish shop. But during my time working there, I found myself being placed in the fish tank by Trevor. Being placed in the exhibition, I never thought that besides learning and working, I would develop this kind of ‘attachment’.
What does it mean to be part of a living artwork?
This year’s M+ Venice Biennale interns were in for a unique experience. As part of their duties, realising Hong Kong’s participation in the 60th Venice Biennale, they were charged with maintaining Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice.
Yeung’s site-specific presentation features aquarium tanks filled with water from the Venetian Lagoon. Through the fragile and dynamic interplay of living organisms, natural processes, and human care, the exhibition and its works evolved over time—an ever-changing narrative of impermanence and interconnectedness.
The exhibition interns’ roles as caretakers brought them face-to-face with the challenges and rewards of working with a constantly changing artwork. From witnessing a lotus bud slowly bloom to cleaning a pool and patiently waiting for cloudy water to clear, their experiences reveal the delicate interplay of transience, transformation and the unexpected connections they formed with plants, animals, and the artworks in their care.
The interns’ experiences offer a glimpse into how art can transcend being something to observe or feel and become something to nurture and engage with, as well as something that can shape us in return.
The 2024 M+ Venice Biennale Exhibition Interns are Kitty Leung, Tina Cheung, Vivian Chan, Rachel Tse, Tiffany Law, Nicole Cheung, Sami Lee, Yanny Chau, Yoanne Cheng, Wing Cheung, Chung Wing Shan, and Lolo Cham.
M+ offers full-time, paid internships for graduates and emerging professionals, with intakes twice a year. This year-long programme is ideal for those interested in pursuing a career in museums or the cultural field and anyone eager to deepen their understanding of twentieth- and twenty-first-century visual culture. Find out more of the interns’ journey on the M+ Youth Instagram.
Video Credits
- Produced by
M+
- Production
Moving Image Studio
- Co-producers
Chan Wing Chi, Kenji Wong Wai Kin
- Camera
Fred Cheung, Tina Cheung, Kitty Leung, Rachel Tse, Vivian Chan, Tiffany Law, Nicole Cheung, Yanny Chau, Sami Lee, Yoanne Cheng, Wing Cheung, Shan Chung, Lolo Cham
- Editor
Fred Cheung
- Subtitle Translation
Wong Kei Wing Ella
- M+ Text and Subtitle Editing
Amy Leung, LW Lam
- Special Thanks
Trevor Yeung, Olivia Chow, Dorothea Lam, Jenny Tam, Sewon Barrera, Mimi Cheung, Ling Law