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Chua Chye Teck: Echoes in Concrete
Chua Chye Teck: Echoes in Concrete
3:11
Video Transcript

Chua Chye Teck: This work was produced in 2013 when I was working on a photo project on the street [in] Singapore. I started to pay attention to these fragments of concrete lying around the city, partly because Singapore is a country that progresses very fast, and we need to change. When I saw this concrete, I thought of doing it with a photo project, but then I realised that there [was] a limitation in using photography. So, I thought of borrowing the idea from this Chinese scholar’s rock.

I'm the... third generation of Chinese migrant to Singapore, and I think we understand Chinese culture from a very distant, very diluted [angle]. I just borrowed that aesthetic, and I think that influenced the way I look at things.

I think I did it in a very subconscious way. I meet this material in my daily life. Somehow [it has] a kind of chemistry and [I] started to see how I could work with them.

I [did] not alter the form of what I found because I always like to work with found objects. And the base itself is highlighting the form of what I found. The wood that I chose came from a wood factory that produces cutting board, and these were also leftover material that the factory doesn't use. This is a native tree to Singapore but now we are getting lesser and lesser this type of tree.

When I produced this work, it was all about my thinking about my environment, my reaction about my environment: how fast they change, how fast they tear down and build, how fast we have to keep up our memory to the new development.

I think this is the first time the whole set of work is exhibited together. [What] I really like… in this work is that [it’s] in the best exhibition environment. Because of the exhibition context or other artists’ view of nature. It’s really now up to the audience to discover it in this exhibition.

Chua Chye Teck’s artistic practice explores the intersection of Singapore’s urban development and cultural heritage. Chua challenges conventional boundaries by documenting transient forms in overlooked spaces, blending photography and sculpture to reflect the city-state’s rapidly changing landscapes.

In Scholar’s Rocks (2013–18), Chua reimagines concrete fragments from construction sites, drawing inspiration from the aesthetics of traditional Chinese scholars’ rocks, gongshi. This connection to Chinese culture, however, comes from a unique perspective. ‘I’m the . . . third generation of Chinese migrant to Singapore,’ Chua notes, ‘and I think we understand Chinese culture from a very distant, very diluted [angle].’

Captivated by discarded concrete fragments, Chua found that photography alone could not fully capture their essence. This realisation prompted a shift in his artistic approach. ‘I decided to shift, to return to using my hands to carve again, for this project,’ he explains.[1] Despite this transition to sculpture, Chua perceives a fundamental similarity between the two mediums: ‘It’s still similar to photography, where in photography, you just capture the image, you observe the image, but you don’t create. It’s the same [with Scholar’s Rocks] because you just make a form that highlights, you don’t really create.’ [2]

Chua’s work is rooted in his reflections on Singapore’s urban transformation. ‘When I produced this work, it was all about my thinking about my environment,’ Chua explains. ‘My reaction about my environment, how fast it changes, how fast they tear down and build, how fast we have to keep up our memory [to adapt] the new development.’ In response to these observations, Scholar's Rocks prompts a reconsideration of the narratives embedded in our surroundings and an examination of environmental transformations shaping the places we live. His dedication to capturing the ephemeral and unique approach to materials invites viewers to discover hidden stories within Singapore’s changing urban fabric.

The Shanshui: Echoes and Signals exhibition presents the entirety of the Scholar’s Rocks series for the first time, offering a cohesive vision of Chua’s exploration of urban change.

Video Credits

Produced by

M+

Producer

Mimi Cheung, Ling Law

Camera

Ling Law, Chris Sullivan

Editor

Starry Lau

Translation

Cecilia Kwan

M+ Text and Subtitle Editing

Amy Leung, LW Lam

Curatoial Research

Chanel Kong

Special Thanks

Chua Chye Teck, Chris Sullivan, Sewon Barrera

  1. 1.

    Artist-in-Residence Chua Chye Teck speaks to Dr Anna Lovecchio, AiRCAST, NTU Centre for Contemporary Art Singapore, April 7, 2022, https://www.buzzsprout.com/1845756/10394357-aircast-4-chua-chye-teck

  2. 2.

    Ibid.

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