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Trevor Yeung:
Courtyard of Detachments

Trevor Yeung:
Courtyard of Detachments

Representing Hong Kong in a Collateral Event at the 60th International Art Exhibition – La Biennale di Venezia, Trevor Yeung returns to M+ with a new configuration of his commissioned solo exhibition, Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice. Yeung’s installations explore the relationships between human and aquatic ecosystems and comment on the emotional disconnections and power dynamics of contemporary society. Restaged in a museum setting, the exhibition shifts focus to discuss larger environmental and systemic issues. This response exhibition is part of the sixth collaboration between M+ and Hong Kong Arts Development Council on Hong Kong’s presentation during the Biennale.

Trevor Yeung. Cave of Avoidance (Not Yours) (detail), 2024. Commissioned by M+, 2024, © Trevor Yeung. Photo: © South Ho. Commissioned by M+, 2024

Trevor Yeung. Pond of Never Enough (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

Trevor Yeung. Rolling Gold Fountain (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

Trevor Yeung. Cave of Avoidance (Not Yours) (detail), 2024. Commissioned by M+, 2024, © Trevor Yeung. Photo: © South Ho. Commissioned by M+, 2024

Trevor Yeung. Pond of Never Enough (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

Trevor Yeung. Rolling Gold Fountain (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

Trevor Yeung. Cave of Avoidance (Not Yours) (detail), 2024. Commissioned by M+, 2024, © Trevor Yeung. Photo: © South Ho. Commissioned by M+, 2024

Trevor Yeung. Pond of Never Enough (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

Trevor Yeung. Rolling Gold Fountain (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

Trevor Yeung. Cave of Avoidance (Not Yours) (detail), 2024. Commissioned by M+, 2024, © Trevor Yeung. Photo: © South Ho. Commissioned by M+, 2024

Trevor Yeung. Pond of Never Enough (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

Trevor Yeung. Rolling Gold Fountain (detail), 2024. Installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

About the Artist

Trevor Yeung (b. 1988, Guangdong) was raised, lives, and works in Hong Kong. In his artistic practice, he excavates the logic of closed systems and the ways in which they create and contain emotions and behaviour. Fascinated by ecology, horticulture, and aquatic ecosystems, Yeung presents carefully staged objects, photographs, animals, and plants in his mixed media works to address human relationships and the artificiality of nature.

Portrait of Trevor Yeung. Photo: South Ho, M+, Hong Kong

Yeung has participated in numerous international exhibitions, including the Biennale of Sydney (2024); the Singapore Biennale (2022); the Kathmandu Triennale (2022); la Biennale de Lyon (2019); EVA International, Dublin (2018); the Dhaka Art Summit (2018); and the Shanghai Biennale (2015). His work has been exhibited at institutions include Gasworks, London (2023); Musée d’Art Moderne de Paris (2022); Tai Kwun Contemporary, Hong Kong (2022); Jameel Arts Centre, Dubai (2022); PinchukArtCentre, Kyiv (2021); M+, Hong Kong (2021); Power Station of Art, Shanghai (2021); Para Site, Hong Kong (2020); and Stiftung Skulpturenpark Köln (2020). He was shortlisted for the Sigg Prize 2023, the Future Generation Art Prize in 2021, and the BMW Art Journey in 2015.

Yeung’s work is held in the collections of Centre Pompidou, Paris; Stiftung Skulpturenpark Köln; Musée d’Art Moderne de Paris; Kadist Art Foundation, Paris and San Francisco; FRAC Alsace; and M+, Hong Kong.

About the Curator

Olivia Chow is a curator and artist living in Hong Kong. As Assistant Curator, Visual Art, at M+, she works with artists to create exhibitions, publications, and public programmes, including Nalini Malani: In Search of Vanished Blood (2012/2022), Nalini Malani: Vision in Motion (2021), Shirley Tse: Stakes and Holders (2020), and Shirley Tse: Stakeholders, Hong Kong in Venice (2019), Hong Kong’s Collateral Event in the 58th International Art Exhibition – La Biennale di Venezia. Chow contributes to building M+’s visual art collection by managing the inaugural M+ International Council for Visual Art and leading acquisitions from around Asia and beyond. Prior to joining M+, she worked in various curatorial capacities at Para Site in Hong Kong (2015–2017) and at The Works Art and Design Festival in Edmonton, Canada (2010–2014).

Portrait of Olivia Chow. Photo: South Ho, M+, Hong Kong

Established in 1995, the Hong Kong Arts Development Council (HKADC) is a statutory body set up by the Government to support the broad development of the arts in Hong Kong. Its major roles include grant allocation, policy and planning, advocacy, promotion and development, and special projects. The mission of HKADC is to support and promote the development of 10 major art forms in literary arts, performing arts, visual arts as well as film and media arts in Hong Kong. Aiming to foster a thriving arts environment and enhancing the quality of life of the public, HKADC is also committed to facilitating community-wide participation in the arts and arts education, encouraging arts criticism, raising the standard of arts administration, and contributing on policy research.

Image at top: Trevor Yeung. Little Comfy Tornado (detail), installation view of Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice, 2024. Commissioned by M+, 2024. Photo: © Ela Bialkowska, OKNO studio. Commissioned by M+, 2024

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