Known primarily as a pioneer of video art, Nam June Paik also produced a number of influential performances and works in other media. Wurzel aus, meaning ‘square root of’ in German, was a gift for the artist Mary Bauermeister, a friend and collaborator. The hanging scroll drawing is an early piece showing the artist’s interest in the East Asian ink art tradition. The square root symbol, or radical sign, is rendered as a gestural blue mark, surrounded by negative space. Similar to the composition, a mathematical function without a number suggests a certain nothingness or indeterminacy. The radical sign, something Paik would use in later works on paper, at times replacing numbers with words, also implies a variable that is both positive and negative. Paik created a number of experimental musical scores and notations, influenced by his interactions with avant-garde composer John Cage. Wurzel aus, from Paik’s time in West Germany in the late 1950s and early 1960s, represents an example of his pre-video work at the beginning of the Fluxus art movement. Informed by Eastern aesthetics and Western minimalism and conceptual art, Wurzel aus asks philosophical questions and suggests infinite possibilities.
Nam June Paik (1932–2006, South Korea) was one of the most influential artists of the twentieth century. As a pioneer of technology-based art, Paik has created a large body of work comprising performances, single-channel moving image works, video sculptures, and installations. Known for his experimental, collaborative, and interdisciplinary practice, he was a key member of the Fluxus movement and a visionary thinker who predicted the future of art making and communication in the internet age.