Malani made the animation Dream Houses, the projection on the right,in 1969, a time of national optimism when India was under the leadership of Jawaharlal Nehru, its first prime minister. She built a miniature city in cardboard and filmed this abstract urban landscape, experimenting with form, colour, and technical applications. Seven years later, Malani made the black-and-white film shown on the left to contemplate on unrealised possibilities. A young woman looks over the suburbs of Bombay (now Mumbai). Together, the two works combine to form Utopia, a reflection on hopeful promise and profound disappointment.
two-channel video installation with sound; 16mm film transferred to digital video (black and white, silent) and 8mm stop-motion animation film transferred to digital video (colour, silent)
Nalini Malani (b.1946, British India) is a pioneer in video art. Her family’s experience of displacement during the 1947 Partition of India strongly influenced her early life and her later activism. Over her long and prolific career spanning film, installation, and painting, she has continually examined the ways political conflicts and social structures affect women and other marginalised communities.