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Park Hyunki 朴鉉基
Untitled 無題
1987/2018
How does the infinitely reproducible medium of video affect our experience of nature? Can the vast durations of geological time be perceived and recorded? A pioneering video artist in South Korea during the 1970s, Park Hyunki raises these questions in Untitled by stacking actual rocks and monitors showing videos of rocks. Decades after the work’s creation, the videos look obviously dated whereas the far older rocks appear unchanged.
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