The Peacock’s Graveyard contemplates the journey of death and its entanglement with the living through images of nature and fable-like short stories moving across seven screens. The installation weaves together several narrative structures such as traditional folklore, speculative fiction, and personal memoir to rekindle age-old philosophies with emerging forms of contemporary violence and suppression. Through various editing and staging methods, Kanwar offers a poetic vantage point from which to consider new ways of resistance, reconciliation, and politics.