Lingchi: Echoes of a Historical Photograph凌遲考:一張歷史照片的迴音
2002
This film takes its name from lingchi, an ancient form of torture and execution from feudal China known as ‘death by a thousand cuts’. Chen Chieh-Jen interweaves archival photographs and film footage of historical acts of violence, from the ruins of the Summer Palace in Beijing after the Second Opium War in the mid-1800s to remnants of abandoned factories and suffering workers in Taiwan in the 2000s. Chen’s work is a mix of documentary and fiction, employing black-and-white images, long takes, and sparse audio produced by electromagnetic waves from Chen’s skin to reveal death and suppressed trauma. The cruelty may be disturbing to witness, but the work also points towards a conscientious form of resistance against power structures and the forgetting of our collective history.
Chen Chieh-jen (b. 1960, Taiwan) is a video artist, filmmaker, and a foremost figure in the development of conceptual art in Taiwan. A self-taught artist who has since been exhibited in museums such as the Taipei Fine Arts Museum and the Museo Nacional Centro De Arte Reina Sofía, Chen began his practice in underground exhibitions and guerrilla-style street performances. His later videos and film installations are characterised by slow images intertwined with complete silence or concise dialogue to articulate the notion of bodily experiences and memories.