In Kan Xuan! Ai!, we see the artist running through a crowded passage at one of Beijing’s largest underground rail interchanges, Fuxingmen station. Captured in a realist aesthetic with a low-tech feel, she runs against the increasingly busy foot traffic and calls aloud: ‘Kan Xuan!’ The people in the tunnel cannot know that she is calling her own name. They watch the fleeting scene with curiosity but make no significant intervention. Kan Xuan! Ai! portrays Kan as the archetypal outsider, the maverick going against the crowd, or the awakened individual amidst the masses. This absurdist exercise in staged drama underscores the individual’s psychology within congested urban confines.
Kan Xuan (b. 1972, Anhui) is a graduate from the China Academy of Art, Hangzhou. Often working with video, photography, and installation, her work examines linguistic structures, historical tropes, and relationships between humans and objects. Kan has participated in many important exhibitions worldwide, including the 55th La Biennale di Venezia (2013) and the 4th Seoul International Media Art Biennial (2006).