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A man in a burgundy, short-sleeved top and jeans points his finger straight ahead. A broom in red hovers diagonally in front of him. Behind the man is a backyard with a light and dark brown tiled floor, a couple of apartments at the back, the wall of the one on the right covered in graffiti.

Everything is Everything

Details
Artist: Koki Tanaka
Year: 2006
Director: Koki Tanaka
Format: 6 min
Language: Multiple
Audience: Everyone
Location: Grand Stair
A man in a burgundy, short-sleeved top and jeans points his finger straight ahead. A broom in red hovers diagonally in front of him. Behind the man is a backyard with a light and dark brown tiled floor, a couple of apartments at the back, the wall of the one on the right covered in graffiti.

Everything is Everything

Everything is Everything by Japanese artist Koki Tanaka explores new ideas by interacting with everyday objects in playful ways. Using what they gathered around Taipei, Tanaka and his assistants, Teppei Sotome and Hideki Aoyama, turn ordinary objects into imaginative props. For example, they spin a broom rather than sweep the floor, spray water bottles at each other, and throw a trash can down a flight of stairs.

This short film prompts us to use our imagination in unconventional and unexpected ways. Tanaka’s re-imagined use of everyday objects is what will get your family’s creativity flowing!

A pair of hands holding a clock, with the number twelve pointing to the bottom left. The clock shows the time of nearly twenty past two.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a concrete-floored room, more than a dozen magnetic buttons in red, white, yellow, blue and black are scattered haphazardly across the floor.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a room with white walls and a wooden skirting board, a yellow wire is tangled and hovers at the front and centre of the picture.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

A pair of hands holding a clock, with the number twelve pointing to the bottom left. The clock shows the time of nearly twenty past two.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a concrete-floored room, more than a dozen magnetic buttons in red, white, yellow, blue and black are scattered haphazardly across the floor.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a room with white walls and a wooden skirting board, a yellow wire is tangled and hovers at the front and centre of the picture.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

A pair of hands holding a clock, with the number twelve pointing to the bottom left. The clock shows the time of nearly twenty past two.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a concrete-floored room, more than a dozen magnetic buttons in red, white, yellow, blue and black are scattered haphazardly across the floor.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a room with white walls and a wooden skirting board, a yellow wire is tangled and hovers at the front and centre of the picture.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

A pair of hands holding a clock, with the number twelve pointing to the bottom left. The clock shows the time of nearly twenty past two.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a concrete-floored room, more than a dozen magnetic buttons in red, white, yellow, blue and black are scattered haphazardly across the floor.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

In the corner of a room with white walls and a wooden skirting board, a yellow wire is tangled and hovers at the front and centre of the picture.

Everything is Everything, 2006. Directed by Koki Tanaka. Image courtesy of Koki Tanaka

About the Director

Koki Tanaka is a visual artist whose diverse practice spans video, photography, site-specific installations, and interventions, by visualizing and revealing multiple contexts latent in everyday acts and objects. In his early object-oriented works, Tanaka experimented with ordinary objects to explore ways of offering a possible escape from everyday routine.

Tanaka has shown widely including at the Palais de Tokyo (Paris), the Kunsthaus (Graz and Zurich), the Hammer Museum (Los Angeles), the ICA (London), the Mori Art Museum (Tokyo), Skulptur Projekte Münster 2017, and the 57th Venice Biennale 2017. He received a special mention for his participation in the Japanese national pavilion at the 55th Venice Biennale (2013), and the Deutsche Bank Artist of the Year award (2015).

M+ Opening Programme

M+ celebrates its grand opening with a programme of events designed to welcome visitors to its newly opened space. Whether you are a seeker of new insights or an arts enthusiast, we invite you to the world of visual culture through our thematic tour, workshop, performances, and screenings.

M+ is more than just a museum—it is also a platform for visitors of different ages, backgrounds, and abilities to interact and exchange ideas with artists, makers, and the community. We welcome everyone—with or without knowledge in visual culture. All you need to be is curious!

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