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A film still from Chocolat showing an encounter between Cécile Ducasse and Isaach de Bankolé in the back of a pickup truck. Here, Decasse is a young girl in pigtails and rounded straw hat, while de Bankolé is a grown man in a white shirt pointing at something below.

Chocolat

Details
Year: 1988
Director: Claire Denis
Format: DCP/ Category IIB / 105 min.
Language: French (with Chinese and English subtitles)
Audience: Everyone
Location: House 1
Accessibility: Wheelchair
More Info:

Ticket Information
Standard: HKD 85
Concessions: HKD 68

A film still from Chocolat showing an encounter between Cécile Ducasse and Isaach de Bankolé in the back of a pickup truck. Here, Decasse is a young girl in pigtails and rounded straw hat, while de Bankolé is a grown man in a white shirt pointing at something below.

Chocolat

Claire Denis’s directorial debut Chocolat draws inspirations from her own upbringing in Africa. The film traces a white woman’s return to her childhood home in Cameroon. She recalls life in the colonial outpost during the 1950s, a time when she was oblivious to the racism and oppression faced by her African servant. Denis examines personal past and systemic prejudice with the clear eyes of a veteran filmmaker in Chocolat. While her style has grown to become more audacious in subsequent films, this film signifies an essential chapter in the development of a singular artist.

The screening on 17 December will be followed by a post-screening talk in Cantonese with M+ Curator of Hong Kong Film and Media Li Cheuk-to.

Film still from Chocolat featuring Giulia Boschi in a ponytail and white shirt dress sitting in the outdoors with her arms resting on her knee. The logo watermark of Metro Goldwyn Mayer is seen on the bottom left of the image.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat featuring a close-up shot of Cécile Ducasse as a young girl, with hair in pigtails, resting her chin on her hands atop a table and instensely looking at the front with a frowning stare.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat in which a young Cécile Ducasse sits side by side with Isaach de Bankolé in the back of a pickup truck, the two looking away from each other. Here Decasse is in a cream-coloured double-breasted dress and has her hair gathered in pigtails topped by a rounded straw hat, while de Bankolé is dressed in a white shirt and khaki shorts. The driver can be seen through the back window.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat featuring Giulia Boschi in a ponytail and white shirt dress sitting in the outdoors with her arms resting on her knee. The logo watermark of Metro Goldwyn Mayer is seen on the bottom left of the image.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat featuring a close-up shot of Cécile Ducasse as a young girl, with hair in pigtails, resting her chin on her hands atop a table and instensely looking at the front with a frowning stare.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat in which a young Cécile Ducasse sits side by side with Isaach de Bankolé in the back of a pickup truck, the two looking away from each other. Here Decasse is in a cream-coloured double-breasted dress and has her hair gathered in pigtails topped by a rounded straw hat, while de Bankolé is dressed in a white shirt and khaki shorts. The driver can be seen through the back window.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat featuring Giulia Boschi in a ponytail and white shirt dress sitting in the outdoors with her arms resting on her knee. The logo watermark of Metro Goldwyn Mayer is seen on the bottom left of the image.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat featuring a close-up shot of Cécile Ducasse as a young girl, with hair in pigtails, resting her chin on her hands atop a table and instensely looking at the front with a frowning stare.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat in which a young Cécile Ducasse sits side by side with Isaach de Bankolé in the back of a pickup truck, the two looking away from each other. Here Decasse is in a cream-coloured double-breasted dress and has her hair gathered in pigtails topped by a rounded straw hat, while de Bankolé is dressed in a white shirt and khaki shorts. The driver can be seen through the back window.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat featuring Giulia Boschi in a ponytail and white shirt dress sitting in the outdoors with her arms resting on her knee. The logo watermark of Metro Goldwyn Mayer is seen on the bottom left of the image.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat featuring a close-up shot of Cécile Ducasse as a young girl, with hair in pigtails, resting her chin on her hands atop a table and instensely looking at the front with a frowning stare.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

Film still from Chocolat in which a young Cécile Ducasse sits side by side with Isaach de Bankolé in the back of a pickup truck, the two looking away from each other. Here Decasse is in a cream-coloured double-breasted dress and has her hair gathered in pigtails topped by a rounded straw hat, while de Bankolé is dressed in a white shirt and khaki shorts. The driver can be seen through the back window.

Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

About the Director

Claire Denis (b. 1946, France) began her career working on set in Dusan Makavejev's Sweet Movie (1974). Her years working alongside Wim Wenders and Jim Jarmusch were crucial to her growth as a filmmaker before she directed her debut Chocolat (1988). Her next films I Can’t Sleep (1994) and Nénette et Boni (1996) interweave narratives inspired by the urban culture of Paris. Denis’s elliptical narrative and visual style received widespread acclaim with Beau Travail (1999) while Trouble Every Day (2001) made a shocking presentation in which Denis, regarded as an arthouse director, turned to the horror genre. The 2000s were significant for her career, which saw the release of Friday Night (2002), 35 Shots of Rum (2008), and White Material (2009). In 2022, Both Sides of the Blade and Stars at Noon won prizes at the Berlinale and Cannes respectively. Working closely with her long-time collaborators, such as cinematographer Agnès Godard and the rock band Tindersticks, Denis has contributed a diverse body of work to contemporary cinema.

Image at top: Claire Denis. Chocolat, 1988. Photo: Courtesy of MK2 Films

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