Sorry

M+ no longer supports this web browser.

M+ 不再支持此網頁瀏覽器。

M+ 不再支持此网页浏览器。

Monochrome movie still from Late Spring featuring Setsuko Hara and Chishu Ryu seated on a tatami bed in a room enclosed by shoji (doors consisted of translucent sheets on a lattice frame). Hara wears a white kimono dotted with large black flowers, while Ryu sports a mini-checkered kimono with a cigarette in his hand.

Late Spring

Details
Year: 1949
Director: Yasujiro Ozu
Format: DCP / Category I / 108 min.
Language: Japanese (with English subtitles)
Audience: Everyone
Location: House 1
Accessibility: Wheelchair
More Info:

Ticket Information
Standard: HKD 85
Concessions: HKD 68

Monochrome movie still from Late Spring featuring Setsuko Hara and Chishu Ryu seated on a tatami bed in a room enclosed by shoji (doors consisted of translucent sheets on a lattice frame). Hara wears a white kimono dotted with large black flowers, while Ryu sports a mini-checkered kimono with a cigarette in his hand.

Late Spring

As one of director Yasujiro Ozu’s most beloved films, Late Spring tells the story of a widowed father and adult daughter who are content with their domestic life, yet the impermanence of all things will stand in their way. Noriko, played by Setsuko Hara, declines the opportunity to get married because she wants to dedicate her life to taking care of her father, Shukichi, played by Chishu Ryu, who comes to understand that he must sacrifice for the future of her daughter. Ozu masterfully depicts the delicate feelings of his protagonists with elliptical storytelling and precise composition. Inspired by this film and the relationship between her mother and her maternal grandfather, Claire Denis directed 35 Shots of Rum (2008), transporting the enduring spirit of Late Spring to modern-day France.

Monochrome movie still from Late Spring showing Setsuko Hara and Masao Mishima, both dressed formally, seated side-by-side at the bar. A narrow-necked tokkuri and a sake cup sit on the counter, while a wood lattice flush mount ceiling light shines above. The number '12' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring featuring the side profile of Setsuko Hara, clothed in a kimono spotted with small flowers, in a grassland. The number '3' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring depicting Setsuko Hara and Jun Usami at a table within a restaurant setting. Behind them a striped awning and the back of a waitress are indistinctly visible. The table is draped with a tartan tableclothe and two teacups with saucers. The number '10' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring showing Setsuko Hara and Masao Mishima, both dressed formally, seated side-by-side at the bar. A narrow-necked tokkuri and a sake cup sit on the counter, while a wood lattice flush mount ceiling light shines above. The number '12' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring featuring the side profile of Setsuko Hara, clothed in a kimono spotted with small flowers, in a grassland. The number '3' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring depicting Setsuko Hara and Jun Usami at a table within a restaurant setting. Behind them a striped awning and the back of a waitress are indistinctly visible. The table is draped with a tartan tableclothe and two teacups with saucers. The number '10' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring showing Setsuko Hara and Masao Mishima, both dressed formally, seated side-by-side at the bar. A narrow-necked tokkuri and a sake cup sit on the counter, while a wood lattice flush mount ceiling light shines above. The number '12' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring featuring the side profile of Setsuko Hara, clothed in a kimono spotted with small flowers, in a grassland. The number '3' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring depicting Setsuko Hara and Jun Usami at a table within a restaurant setting. Behind them a striped awning and the back of a waitress are indistinctly visible. The table is draped with a tartan tableclothe and two teacups with saucers. The number '10' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring showing Setsuko Hara and Masao Mishima, both dressed formally, seated side-by-side at the bar. A narrow-necked tokkuri and a sake cup sit on the counter, while a wood lattice flush mount ceiling light shines above. The number '12' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring featuring the side profile of Setsuko Hara, clothed in a kimono spotted with small flowers, in a grassland. The number '3' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Monochrome movie still from Late Spring depicting Setsuko Hara and Jun Usami at a table within a restaurant setting. Behind them a striped awning and the back of a waitress are indistinctly visible. The table is draped with a tartan tableclothe and two teacups with saucers. The number '10' is seen on the right bottom corner of the image.

Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

About the Director

Yasujiro Ozu (1903–1963, Japan) started his career as an assistant at Shochiku Studios. He directed his first feature, Sword of Penitence (1927), with a script by Noda Kōgo, who would co-write more than a dozen of Ozu’s films. The director’s silent films, including Tokyo Chorus (1931) and I Was Born, But . . . (1932) garnered him critical acclaim in the early years of his career. Returning to Japan after serving in World War II, he focused on making domestic dramas, such as Late Spring (1949), Early Summer (1951), and Tokyo Story (1953). Ozu’s simple yet unmistakable style—a static camera, low-angle shots (aka the ’tatami shot’), and visual symmetry—makes him one of the most enduring masters of the medium. He died a year after he completed An Autumn Afternoon (1962).

Image at top: Yasujiro Ozu. Late Spring, 1949. Photo: Courtesy of Shochiku Co., Ltd.

Loading